"Dressed As a Master": Clothing in the First Three Degrees of Freemasonry

The Prologue to Dan Brown’s The Lost Symbol takes place during a ceremony, the ritual of the 33rd degree of initiation into the Scottish Rite of Freemasonry. We’ll go into those matters — the Scottish Rite, the 33rd degree — in future posts. What I’ll focus on in this post is the fact that the Prologue mentions that the unnamed central character in this Prologue has been through other, earlier initiations — initiations with distinctive clothing.

As the story mentions:

As was tradition, he had begun this journey adorned in the ritualistic garb of a medieval heretic being led to the gallows …. Tonight, however, like the brethren bearing witness, he was dressed as a master. (Page 3 of the English language edition of The Lost Symbol)

What is he talking about?

The First Three Degrees of Freemasonry

Freemasonry, of course, is a fraternal organization that offers men the opportunity to receive ritual initiations focused on the higher values of life. (My post giving a brief introduction to Freemasonry is here.)

The basic unit of Freemasonry is the Lodge. This is a group of men who meet at regular intervals for Masonic business and ritual. (For example, the Lodge where I became a Mason, Winter Park Lodge #239 Free and Accepted Masons, in Winter Park, Florida, meets on the second and fourth Tuesdays of each month, at 7:30 p.m.) This level of Freemasonry is sometimes referred to (for mysterious traditional reasons) as the “Blue Lodge.” It is the foundation of all forms of Freemasonry.

The Blue Lodge offers the first three degrees of Freemasonry:

  • The 1st degree, called “Entered Apprentice”
  • The 2nd degree, called “Fellow Craft”
  • The 3rd degree, called “Master Mason”

Some aspects of the initiation process are similar — not identical — across the degree rituals, including clothing.

The Candidate’s Clothing

We’ll have more to say about Masonic initiation in future posts. Today, it’s all about the clothing.

The candidate for Masonic initiation appears in ceremonial clothing for the first three degrees. This is what Dan Brown alludes to as “the ritualistic garb of a medieval heretic being led to the gallows.”

Brown is taking a page here from the fascinating book by the late John J. Robinson, Born in Blood: The Lost Secrets of Freemasonry (now available in a new paperback edition from M. Evans). Robinson analyzed certain distinctive aspects in Masonic ritual language and practice, and came to the conclusion that Freemasonry had its origins in a society of men on the run: the medieval Knights Templar, who were condemned by the Papacy and subjected to mass arrests as heretics in 1307. The distinctive garb of the candidate in the first three degrees of Masonic initiation, in Robinson’s view, would be a tradition to remember the Templars in their time of trial.

Robinson’s conclusions are thought-provoking, although currently they are accepted neither by the mass of Masonic historians nor by most academic historians. Not that this would stop Dan Brown.

“Dressed like a master”

When Dan Brown writes that Mal’akh is “dressed like a master” during his ceremonial initiation into the 33rd degree, he means that Mal’akh was dressed the way a Master Mason dresses following his initiation. Masons typically come to lodge meetings formally dressed. Business suits are common; I know of Lodges that require black tie (that is, tuxedos). (Some Lodges are substantially less formal, but formality is a rising trend.)

Of course, a special apron is the badge of a Mason. The Masonic apron is a tradition that carries today’s Masons back to the days of the medieval stonemasons. Today’s Masonic aprons are done up rather more elaborately than a medieval stonemason’s apron, though.

In the photo above, I am the fellow on the left. (Click on the photo for a larger image.) The occasion is my installation, in late December 2007, as the Marshal of the Lodge in Winter Park; for most lodges, like Winter Park, the annual installation of officers is a public event. (The Marshal is the most junior of Lodge officers.) I am here dressed in a tux, with the specific apron of my office. (Winter Park does not require black tie at its functions, but this was the formal installation, and all officers to be installed arrived in black tie.)

The regular member attending the Lodge would have a less elaborate apron. However, in most essentials, in the photo above I am “dressed like a master,” in Dan Brown’s phrase.

However, the novel purports to depict, not a Blue Lodge ceremony, but a Scottish Rite ceremony. Thus, I would expect that Mal’akh would be wearing a Scottish Rite cap and “jewel” (that is, a medal), probably the distinctive red cap and jewel of the Knight Commander of the Court of Honor.

So, that is what you should be envisioning Mal’akh wearing in the Prologue: black tie, with a red hat and ceremonial medal. (Head-to-toe tattoos under coverup makeup is entirely optional.)

[The photo above was taken by Ricardo Parente, the webmaster and photographer of Winter Park Lodge #239 F&AM. Thank you, Brother Ricardo, for making me look respectable.]

Mal’akh’s Tattoos, Part 2: The Scottish Rite Double Eagle

In an earlier post, I described the tattoos on the legs of Dan Brown’s horrifying villain in The Lost Symbol, Mal’akh. Today, we talk about the ‘main event,’ as it were: the tattoos on Mal’akh’s chest:

[...] his powerful chest was emblazoned with the double-headed phoenix . . . each head in profile with its visible eye formed by one of Mal’akh’s nipples. [The Lost Symbol, Chapter 2, pp. 11-12 in the English language edition]

This sounds to me like one of the most famous symbols of what is called “high degree” Masonry: the double-headed eagle on the seal of the Ancient and Accepted Scottish Rite of Freemasonry (one version of which is illustrated above).

In an earlier post, I describe the degree structure of Freemasonry, and I explain how the Scottish Rite figures into that. Here, I’ll just mention that the Scottish Rite offers a set of ritual initiatory ceremonies (“degrees” of initiation) to men who are already Master Masons, that is, men who have received the three foundational degrees of Freemasonry. (More about that in a future post–probably my next one.)

Internationally famous Masonic scholar, Arturo de Hoyos, describes the double-headed eagle in his excellent reference, The Scottish Rite Ritual Monitor and Guide [2nd edition, 2009, available here]. (Incidentally, Scottish Rite brethren, this is the main text of the “Scottish Rite Master Craftsman” course of study.)
The double-headed eagle is the unique symbol of the Scottish Rite …. The motto of the Thirty-third Degree is Deus meumque jus (God and my right). [de Hoyos, 2009, p. 27]

As de Hoyos explains, the double-headed eagle was a symbol in the later degrees of now-extinct degree systems that were predecessors of the Scottish Rite (which was founded in 1801). The double-headed eagle appears on coats of arms, and so is an element or “device” of heraldry.
As a heraldic device its precise origin is unknown, but it is believed to be a modification of the [single-headed] Roman eagle, [a two-headed modification of] which was later used to suggest the Eastern and Western parts of the Roman Empire. This device was subsequently adopted by the German, Austrian, and Russian Empires. Some writers assert an even greater antiquity, equating it with the Storm Bird of Lagash, an ancient Babylonian symbol. [de Hoyos, 2009, p. 28]

So, there is a political meaning to the double-headed eagle: it represents the union of East and West. However, there is also an esoteric meaning, associated with the transformation of inner opposing tendencies into a unified balance or equilibrium within the individual. This is an aspect of alchemy, and the double-headed eagle is a potent alchemical symbol, which explains part of its appeal for Mal’akh.
The black double-headed eagle was a principal motif in early alchemical literature …. At times it is equated with the philosopher’s stone, the goal of the alchemical transformation, and may be understood as a symbol of the Great Work of perfection. [de Hoyos, 2009, p. 29]

Of course, this opens up the entire matter of alchemy and the Great Work. Alchemy is one of the wisdom traditions that are incorporated into the degrees of the Scottish Rite in the Southern Jurisdiction of the USA (the organization that has its headquarters at the House of the Temple in Washington, DC–the site of the Prologue of The Lost Symbol).

Alchemy is a vast subject. At a high level, alchemy has to do with the management and direction of transformation — a subject that is near and dear to the heart of Mal’akh, as readers of The Lost Symbol observe throughout the novel. There is an aspect of alchemy that is concerned with transformation of outer reality. (This is where the whole turning-lead-into-gold thing comes up.)

There is also an aspect of alchemy that is concerned with transformation of inner reality. The point of alchemy is to bring the opposing tendencies of human nature into balance and under the control of the individual. Through alchemical processes, the individual is to refine human nature, thereby bringing the individual to a new level of human consciousness, and a more perfect state of being.

Mal’akh’s tattoo is described as a double-headed phoenix, a mythical bird also associated with inner rebirth. Again, transformation is Mal’akh’s thing.

I shall have more to say about alchemy, as well as its relation to Masonic symbolism, in my forthcoming book, Discovering The Lost Symbol: The Mind of Dan Brown, the Truth About the Freemasons, and the Idea that We Can Become Gods. (Agents and publishers inquiries are welcome; I may be reached by e-mail through my Blogger profile.)

Learning More About Alchemy

A fine brief introduction to alchemy is the chapter by Richard Smoley, “Hermes and Alchemy: The Winged God and the Golden Word,” pp. 19-30 in an excellent collection of essays edited by Jay Kinney, The Inner West: An Introduction to the Hidden Wisdom of the West (New York: Tarcher/Penguin, 2004). The notes to this chapter constitute good suggestions for further study.

The interest of Sir Isaac Newton in alchemy is little-known to the public at large, but Newton wrote more about esoteric subjects like alchemy than he ever wrote about physics or optics. One can read about this in Michael White’s biography of Newton, Isaac Newton: The Last Sorcerer (New York: Basic Books, 1997).

Alchemy from the point of view of a modern practitioner is described by Mark Stavish in The Path of Alchemy: Energetic Healing and the World of Natural Magic (Woodbury, MN: Llewellyn Publications, 2006).

In recent years, there has been a revival of interest in the concept that Masonic ritual somehow is connected to alchemy. The most detailed recent treatment of this idea can be found in Timothy Hogan’s The Alchemical Keys to Masonic Ritual (2007), which is available through lulu.com, as shown here.

A Small Point of Masonic Etiquette

I removed a comment from one of the posts on this blog recently, because it ventured into the area of Masonic passwords, signs of recognition, and so forth.

The author of the comment has posted before, and seems to be a fine and upstanding individual, quite bright, even scholarly. The source cited was a fine, scholarly work, not anti-Masonic at all.

However, as a Mason, I have made a commitment not to reveal the Masonic passwords or signs of recognition. As I interpret that obligation, that includes not discussing purported passwords or signs of recognition, past or present, in a forum for which I have personal responsibility, such as this blog.

I realize that non-Masons typically do not know the contents of the Masonic obligations. I bear no ill will to the commentator. However, I do ask everyone who comments on this blog to steer clear of the matter of Masonic passwords and signs of recognition, out of courtesy to your blog author, a Mason. Thank you for your kind observance of this principle.